Publisher's Synopsis
A critical book for those searching beyond the binaries of independent versus corporate media and of industry versus art.In this illuminating compendium of media analysis, transnational curatorial journeying, and piercing explorations of multiple spaces where film, art, community, and politics intersect (and sometimes collide), Professor Jacques George solidifies his position as one of the most vital, versatile, and potent thinkers of media history, production, and circulation in the United States.
