Publisher's Synopsis
In the mid-eighteenth century, as new ideas begin to sweep the continent, a young Jew of mysterious origins arrives in a village in Poland. Before long, he has changed not only his name but his persona; visited by what seem to be ecstatic experiences, Jacob Frank casts a charismatic spell that attracts an increasingly fervent following.
In the decade to come, Frank will traverse the Hapsburg and Ottoman empires, throngs of disciples in his thrall as he reinvents himself again and again, converts to Islam and then Catholicism, is pilloried as a heretic and revered as the Messiah, and wreaks havoc on the conventional order, Jewish and Christian alike, with scandalous rumours of his sect's secret rituals and the spread of his increasingly iconoclastic beliefs.
In The Books of Jacob, her masterpiece, 2018 Nobel Prize in Literature laureate Olga Tokarczuk writes the story of Frank through the perspectives of his contemporaries, capturing Enlightenment Europe on the cusp of precipitous change, searching for certainty and longing for transcendence.
‘[A] visionary novel ... Tokarczuk is wrestling with the biggest philosophical themes: the purpose of life on earth, the nature of religion, the possibility of redemption, the fraught and terrible history of eastern European Jewry. With its formidable insistence on rendering an alien world with as much detail as possible, the novel reminded me at times of Paradise Lost. The vividness with which it’s done is amazing. At a micro-level, she sees things with a poetic freshness.... The Books of Jacob, which is so demanding and yet has so much to say about the issues that rack our times, will be a landmark in the life of any reader with the appetite to tackle it.’ — Marcel Theroux, Guardian
‘In Tokarczuk’s telling this epic of myth and history is a celebration of cultural diversity, a plea for tolerance and – notwithstanding its impeccably researched historical setting – a contemporary story of borders, refugees and migration. Despite the novel’s great length, the world she has recreated is wrenching to leave…. Huge credit must be given to Croft, whose magnificent, lively translation is also a work of pure scholarship: the multiple voices, styles, landscapes and inventories she renders into English bring this lost world vividly to life…. As a reading experience, aspects of Tolstoy’s War and Peace are an obvious comparison; but so too is The Blue Flower, Penelope Fitzgerald’s epic in miniature of German Romanticism, and Hilary Mantel’s Thomas Cromwell trilogy: all immersive works in which the act of turning the pages is akin to surrender.’ — Catherine Taylor, Prospect
‘It is hard to imagine a more perfect pairing of writer and subject: Frank is complex, contradictory, his presence at once all-consuming and impossible to pin down; Tokarczuk is brilliant, sensitive, encyclopaedic, like a writer dreamed of by Borges.’ — The Monthly
‘Tokarczuk shows impressive skill in recreating an entire era and world, which ranges from Poland to Smyrna and Vienna. Yet her real genius lies in the cast of characters she has conjured up; dozens, each fully realised, from an emperor downwards.... She is also ambitious in her willingness to ask (and sometimes answer) extraordinarily large questions through these character studies.... Holding it all together for 900 pages is incredible, but that is not what makes this book great. Tokarczuk, unafraid and ambitious, creates a very fallible messiah, yet makes it seem reasonable and human to believe in his divinity. That is a kind of literary miracle.’ — Antonia Senior, The Times
