Publisher's Synopsis
Joan of Arc: Her Image in France and America celebrates the cultural legacy of a medieval French heroine who led the armies of her nation to victory against the English, who was tried on charges of heresy, and who was burned at the stake in Rouen in 1431. Two decades after her death, her trial was reopened and the court reversed the verdict. But it was not until the pinnacle of her popularity, nearly 500 years later, that the Catholic Church canonized her.
Born in Domremy, France, around 1412, Saint Joan endures as one of the most famous people of the Middle Ages, and her extraordinary life has engaged generations of historians, writers, artists andmost recentlyHollywood film producers, many of whom have used her image to stir an astonishing array of passions. This highly illustrated book, published on the occasion of a major exhibition at the Corcoran Gallery of Art, is the first to explore the history of Joan's image both in France and the United States. For several centuries representations of Joan have reflected the historical contexts in which they were created, and have been used to promote a huge variety of political, cultural and religious views. These range from icons of martial ascendancy and nationalist unity to paragons of humble piety and maidenly purity, supporting both the power of the people, and the divine right of kings.
Born in Domremy, France, around 1412, Saint Joan endures as one of the most famous people of the Middle Ages, and her extraordinary life has engaged generations of historians, writers, artists andmost recentlyHollywood film producers, many of whom have used her image to stir an astonishing array of passions. This highly illustrated book, published on the occasion of a major exhibition at the Corcoran Gallery of Art, is the first to explore the history of Joan's image both in France and the United States. For several centuries representations of Joan have reflected the historical contexts in which they were created, and have been used to promote a huge variety of political, cultural and religious views. These range from icons of martial ascendancy and nationalist unity to paragons of humble piety and maidenly purity, supporting both the power of the people, and the divine right of kings.
