Publisher's Synopsis
ONCE upon a time there was erected in Longacre Square, New York, a large white statue, labelled 'Our City', the figure of a woman in Grecian robes holding aloft a shield. Critical citizens objected to it for various reasons, but its real fault was that its symbolism was faulty. The sculptor should have represented New York as a conjuror in evening dress, smiling blandly as he changed a rabbit into a bowl of goldfish. For that, above all else, is New York's speciality. It changes. Between 1 May, when she stepped off the train, and 16 May, when she received Eddy Moore's letter containing the information that he had found her a post as stenographer in the office of Joe Rendal, it had changed Mary Hill quite remarkably.
