Publisher's Synopsis
Excerpt from A Guide to Modern Opera
The scores of the new works not only demand increase of numbers, but constantly call for strange instruments, barbaric instruments, instruments that have become obsolete, and new instruments. Conspicuous among the latter are the Celesta and the Heckelphone (see pages 215 and There seems to be a growing fondness for the sound of bells and the throb of drums; and Puccini has even tried the humming voice used as an instrument in the introduction to the last Act of M adama Butter?y.
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