Airs, duets, trios, and finale, introduced in the comedy of The Spanish barber. As performed at the Theatre-Royal in the Hay-Market. Composed by Doctor Arnold.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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Bodleian Library (Oxford)

T183171

Anonymous. By George Colman the Elder. The music was arranged by Samuel Arnold. Horizontal chain lines.

London: printed for T. Cadell, 1784. 12p.; 8°