Publisher's Synopsis
This study focuses on three stagings of "Romeo and Juliet" as a ballet: Vincenzo Galeotti's 1811 production of Romeo og Giulietta for the Royal Danish Ballet in Copenhagen; Leonid Lavrovsky's 1940 full-length production for the Kirov Ballet in Leningrad; and Antony Tudor's 1943 one-act production for Ballet Theatre in New York. The ballets chosen define dance tradition at a given period or extend the dance through some crucial enlargement. Also, they reflect the aesthetic theories and tastes of their choreographers, the technique and training of the dancers, modes of artistic interpretation and performance, and, finally, the politics of the country as expressed through company production policies and selections. The book uses contemporary reports, musical scores, stage plans, production pictures, journal entries and the recorded memories of the performing and producing artists.
