Publisher's Synopsis
Excerpt from An Important Group of French XVIII Century Gold and Enamel Snuff Boxes and Bonbonnières: Georgian and Other Fine Silver, Including Flatware and Tea and Coffee Service, Chinese Porcelains, English Porcelain Services, French, English and Italian Furniture, Tapestries, Oriental Rugs; From the Estate of the Late William P. Clyde
All bids to be per piece as numbered in the catalogue, unless otherwise mentioned.
The highest bidder to be the buyer. In all cases of disputed bids the lot shall be resold, but the auctioneer will use his judgment as to the good faith of all claims, and his decision shall be final.
Any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance, may be rejected by the auctioneer if in his judgment such bid would be likely to affect the sale injuriously.
The name of the buyer of each lot shall be given immediately after the sale thereof, and when so required, each buyer shall. Sign a card giving the lot number, amount for which sold, and his or her name and address. 'lla deposit at the actual time of the sale shall be made of all or such part of the purchase prices as may be required. '1 If the two foregoing conditions are not complied with, the lot or lots so purchased may at the option of the auctioneer be put up again and resold.
Title passes upon the fall of the auctioneer's hammer, and thereafter the property is at the purchaser's risk, and neither the owner nor the Company is responsible for the loss of, or any damage to any article by theft, fire, breakage, however occasioned, or any other cause whatsoever.
About the Publisher
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
