Publisher's Synopsis
Julien Levy (1906-1981) was one of the most influential art dealers of the 20th century. The Julien Levy Gallery, which opened in New York in 1931 and closed in 1949, played a role in the shift of the cultural avante-garde from Paris to New York. It was the first American gallery to sponsor a show on Surrealism and to champion Neoromanticism, Magic Realism, and Machine Abstraction. Luis Bunel's film "Un Chien Andalou" and Joseph Cornell's "Rose Hobart" were first screened in the gallery. Levy exhibited many artists, and initiated the cocktail opening.;This book, which accompanies a retrospective exhibition on the Julien Levy Gallery in New York, includes reproductions of paintings, photographs and film stills from museum and private collections, as well as art and ephemera from Levy's own collection. The book offers recollections of Levy and his gallery from several angles. Dorothea Tanning reminisces about her lifelong friendship with her first dealer. Ingrid Schaffner surveys the evolution of Levy's enterprise from commbination curiosity shop, exhibition space, and performance site into a model for the contemporary art gallery. Steven Watson discusses Levy's personal and professional affiliations with the "Harvard Moderns" - Alfred Barr, Jr., and A. Everrtt Austin among them. Carolyn Burke looks at Levy's complex relationship with his mother-in-law, poet and painter Mina Loy, who acted as his agent and mentor in Paris. Finally, Lisa Jacobs provides a chronology of the events of the gallery and of Levy's life.
