Publisher's Synopsis
This concise, lucid, and thought-provoking book looks again at the one moment when Leonardo and Michelangelo worked side by side, seeking to identify the roots of their differing ideas of the figure in 15th-century pictorial practices and to understand what this contrast meant to the artists and writers who followed them. Through close investigation of these two artists, Michael W. Cole provides a new account of critical developments in Italian Renaissance painting.